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Learn about: - Guitar setup (Action/string height, neck relief, pickup height, intonation etc, & more) - Lead guitar techniques (Picking motions/mechanics, pickslanting, alternate picking, legato, sweeping, muting, & more) - What to practice (Music theory, scales, sequences, horizontal playing, skill application, & more) - How to practice (Exercises, speed training, detecting errors, improvisation, building sync and articulation, & more)
Welcome to the second lesson on two-hand tapped arpeggios! Last time we covered the fundamentals such as: muting, string transitions, and a small 2-string example arpeggio to begin with. Now it's time to delve further into the technique and learn some larger arpeggio shapes. This lesson will teach you the tapped arpeggios for the four 7th chords of the major scale: The Maj7, the Dom7, the Min7, and the Min7b5 arpeggio. I will provide you with a TAB and also a fingering diagram (where the blue notes are the tapped notes) for each arpeggio.
NOTE: Use your picking hand's middle finger to execute the tapped notes for the following 4 arpeggios. Using the ring finger for tapped notes on the high e string is optional.
As always, check out the video below for a more in-depth lesson and to see/hear these arpeggios in action!
I proudly present an in-depth technical guide to basic multi-string two-hand tapping arpeggios. Learn how to tap, how to cross strings and how to perform a basic 2-string, string skipped diminished arpeggio on the g and e strings. From there you are free to branch out to bigger shapes and more exciting opportunities on your own and with the help of my lick videos.
However before we proceed, make sure that you've seen my video below on string muting. Keeping your playing free of unwanted string noise is essential!
Single String Tapping Recap
Now that your muting has been addressed, let's apply it to some single string tapping before moving on to multi-string tapping. See the tab below. We're going to do some simple back and forth legato and tapping. With your index finger on the 10th fret of the G string, make sure that the underside of the finger rests flat across the b and high e strings - muting them. Use your palm mute to keep the D, A & E strings quiet. Zero in on that G string and make it the only one ringing out. Tap with the middle finger of your picking hand to the 16th fret, tapped pull-off to the pinkie on the 13th fret, pull-off to the index finger on the 10th fret, hammer-on back to the pinkie, and then tap the 16th fret again to loop.
String Crossing Exercise: "Seesaw"
Tapping is rather straightforward on a single string. But things get tricky as soon as you attempt to cross strings i.e multi-string tapping. But never fear, I have created a basic 2 note exercise to tackle these challenging string transitions. Introducing the "Seesaw" exercise:
Start by tapping the 16th fret of the G string as before. Let it ring for a moment and then when you're ready, hammer-on to the 10th fret of the high e string with your index finger. The moment you do, unfret the tapped note on the G string. That doesn't mean pull-off. It means raise up the tapping finger so that the string separates from the fret and is silenced by the tapping finger. Your tapped finger is now safe to leave the string.
To return, simply do it in reverse. Tap back onto the 16th fret of the G string. And as soon as you do, unfret the high e string. Go back and forth between these two notes very slowly. Focus on perfect note separation. As soon as one note ends, the next one starts. And with that let's move onto multi string tapping.
2-String Diminished Tapped Arpeggio
The reason I chose this arpeggio is that the shape is nice and symmetrical and easy to remember. The fret numbers and fingers are the same so we can focus more on the technique than on the actual arpeggio shape.
Start out the same as the single string example: tap, pull-off x2, hammer-on, tap. And then execute the string cross maneuver to get you to the 10th fret on the high e string. Now at this point you will need to move up your picking hand mute/palm mute a bit so that every string except the high e is silenced by your picking hand. From here, pinkie hammer-on to the 13th fret and then tap onto the 16th fret. You may use the same tapping finger or do what I do, which is to utilise the ring finger. Now just pull-off to the 13th fret and again to the 10th.
Do the string cross maneuver once again to return to the G string. Careful of string noise here: Keep your fretting hand low and vigilant as it ducks back to the G string to end the tapped arpeggio by doing a tapped pull-off to the pinkie on the 13th fret and then pull-off to the 10th fret.
I hope this helps! Check out my video walkthrough below: