Maximizing Practice Efficiency

As musicians, it's vital that we get as good as possible in as little time as possible, or in other words: practice efficiently.
In this lesson you will learn all about how to maximize this practice efficiency to really squeeze every last drop of benefit out of your practice sessions, and learn a little bit of the science behind how our brain and hands learn best. 


How should we practice? Short sessions? Long sessions?

We humans (especially when it comes to motor-learning) respond best to consistent, regular, and "spaced out" practice sessions when trying to learn a new skill or improve an existing one. "Binge practice" (practicing for long periods without breaks) is simply not the way to go - we just don't learn that way. By distributing practice sessions over time, we avoid mental burnout and fatigue, allowing for more effective consolidation of skills from short-term to long-term memory. This approach also enhances retention, encouraging deeper understanding and critical thinking about movements. Furthermore, "spaced out" practice optimizes neuroplasticity, the brain's ability to adapt and reorganize in response to practice, leading to more efficient motor control. That's the verdict: "spaced out" practice - not "binge practice" - is essential for achieving lasting mastery of motor skills.

How long should these "spaced out" practice sessions be?

Practice session length is also key. It turns out that optimal motor-learning improvement is achieved through these "spaced out" practice sessions so long as they are no shorter than 15 minutes, and no longer that 60 minutes. This is the sweet spot! Any shorter than 15 minutes and the brain doesn't warm up properly and pay attention, and any longer than 60 minutes ("binge practice") causes the brain to become complacent and disengaged. The resulting diminishing returns essentially stops the strengthening and forming of the relevant neural connections, hindering progress, and improvement. By making sure our practice sessions are between 15 and 60 minutes long, we can maximize our improvement, consolidate skills, and maintain a high level of mental engagement.

How long should breaks be?

Research suggests that taking regular breaks is essential for effective motor learning and memory consolidation. To refresh the brain and prepare for another practice session, breaks should last 15 minutes or more. This duration allows the brain to relax, recharge, and consolidate the newly acquired information, making it easier to retrieve and apply in the next practice session. A break of this length enables the brain to transition from an active, focused state to a more relaxed, diffuse mode, allowing for the processing and solidification of new neural connections. By incorporating regular breaks of 15 minutes, we can optimize our practice schedule, enhance our overall progress, and maintain a high level of mental freshness and focus.

Example:

Keeping in mind all we've learned, let's study how a guitarist could utilize a 2 hour time slot in their day - inefficiently and efficiently, respectively:

INEFFICIENT:
Let's say a guitarist decides to practice an exercise for 120 minutes non-stop ("binge practice").
The first 15 minutes is largely ineffective as the brain and hands are warming up. Nothing much is accomplished here.
The next 45 minutes are effective, but then wanes beyond the 60 minute mark.
This guitarist gets a very poor 45 minutes of total effective practice.

Now let's take a look at how this 120 minute time slot could be more efficiently utilized.

EFFICIENT:
Let's say another guitarist decides to chop the 120 minutes into two practice sessions, having a 15 minute break in between ("spaced out").
Again, the first 15 minutes of any practice session is mostly ineffective, but take a look at the total effective practice time across both sessions.
This guitarist, thanks to the strategic use of a break, achieves a significantly higher 75 minutes of total effective practice.

SUMMARY:
Both guitarists above used the 2 hour time slot, but the guitarist practicing efficiently racked up 30 minutes of total effective practice 
more than the guitarist practicing inefficiently, and even got a break to use social media, use the bathroom, or grab their 20th coffee of the day.

Be sure to use this knowledge you've gained here and apply it to your practice schedule.
The additional practice you can squeeze out of your precious time adds up as the years go by.

This is working smarter.

Last modified onSunday, 30 June 2024 09:10

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Alfred Potter is a solo progressive metal lead guitarist. He has released two albums "Argonaut" and "Splendor of Sands" and sells a range of ebook PDF courses and instructional videos through his website www.AlfredPotter.com. He is endorsed by Kahler bridges and Hawk Picks.

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